Claire's epiphany came when realised that she could make something more honest and universal if she confronted her own demons in her music.
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But the pay-off is this incredible freedom."Įarly Grimes releases showed hazy promise, even if they felt a little too much like scenester in-jokes (her 2010 debut Geidi Primes was cassette-only, full of references to 80s sci-fi film Dune). You have to sacrifice a lot of things to do this. "I don't live anywhere, I don't see my friends. "I've completely fucked my life," she admits cheerily. I don't need money.'" To the mild horror of her parents, Claire turned her back on the world of brain biology to pursue Grimes full time. Why the hell am I wasting my time? I'm just going to do what I want to do for the rest of my life. When Lab Synthèse's co-founder David Matthew Peet killed himself in 2008, she decided that she owed it to him to submit to her to true calling. Music never seemed like a viable option until she started hanging out at La Brique's predecessor Lab Synthèse, where she was encouraged to produce her own tracks by her now-manager and engineer Sebastian Cowan. I was always really into painting but I didn't feel like I would be able to do anything new, whereas with music there's still so much to be explored."Ī former goth kid from Vancouver, Claire originally moved to Montreal to study Russian literature at McGill University, before switching to the neuroscience course. "It could have been art, it could have been architecture.
"From an early age I knew I would be unhappy if I wasn't doing something creative," she says, settling into an old wheelchair that constitutes La Brique's most comfortable seat. It's a bold combo that would turn heads in dour downtown Montreal, although Claire looks perfectly at home among the junkshop flotsam and aborted art projects of La Brique, a former industrial loft that's now the epicentre of the city's colourful underground scene. Today she's wearing a camo hoodie beneath a hand-me-down fur coat, accessorised with a multicoloured silk scarf, plastic shades, sky blue pumps and algae-green hair. There are parallels, too, with Fever Ray and Björk in the way that Claire has assumed full control of her production, artwork and videos in order to further her eccentric vision.Ĭourted by fashion labels, she has appeared on the cover of Dazed & Confused dripping with Givenchy jewellery, despite the fact that her personal style is more Star Wars Cantina by way of the Sue Ryder shop. It won Claire a deal with 4AD – appropriately enough, since Visions smoulders with the kind of necromantic charm that once powered label mainstays Cocteau Twins and Dead Can Dance. Grimes's recent third album, Visions, is a bewitching lo-fi blend of R&B melodies and new age atmospherics, fashioning flimsy components into something sensual and sweetly psychedelic. Her sleep-deprived, speed-fuelled working methods may sound extreme but it's hard to argue with the results. Welcome to Grimes's world, where a voguish braindump of techno-mystical pop trash signifiers is given lift-off by Claire's insistence on pushing things a little bit further than your average blog idol.
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